Showing posts with label Rita Ora. Show all posts
Showing posts with label Rita Ora. Show all posts

Saturday, August 16, 2014

Chart Highlights: Röyksopp & Robyn, Alyssa Reid Reach Top 10


Meanwhile, Iggy Azalea's "Black Widow" pushes 38-26 as the Hot 50's Greatest Gainer, Ella Henderson's "Glow" snags top debut, and Nicki Minaj's "Anaconda" dives 29-41.

The Hot 50 chart is counts points from Saturday to Friday and is formulated using the following:
  • Official US Radio plays that I listen to count as 1 point each. Referred to as the Radio Songs Chart.
  • Plays through my iTunes or Spotify (mainly the former) libraries count as 2 points each. If the track is not available to purchase at a given moment, plays of the track's official audio on Youtube or Soundcloud also count for 2 points each. Referred to as the Streaming Songs Chart.
  • The release of a track's official music video sees the song in question receive a one time bonus of 5 points if I watch the video within its first two weeks of release. If a song first charts over two weeks after the video's release, it is eligible to get the five point bonus within its first two weeks of charting. There is no component chart for this category given that it awards a one time bonus.
  • The top 10 most voted for songs on the "Vote For Your Favorites of the Week" chart receive points. #1 gets 10 points, #2 gets 9 and so on and so forth. If voting reaches a certain threshold during any given week, the 2x multiplier will be unlocked. If the 2x multiplier is unlocked, #1 gets 20 points (instead of 10), #2 gets 19 points (instead of 9) so on and so forth. #11 gets 10 points (instead of none), and #20 gets 1 point (instead of none). Referred to as the Social Songs 100 Chart.
As I do every weekend, let's dive deeper into the numbers and how things played out on this week's Hot 50 chart. But before we get into that, I'd like to point out that it will be impossible for any song to pass Platinum status (1000+ points) by the end of 2014. In addition, said song would pretty much have to remain in the top 5 for the next 20 weeks to reach that level.

For those of you that are not aware of how the point system works:

The #1 song each week receives 50 base points and a weekly bonus. #2 receives 49 points and a bonus and so on and so forth. #50 receives 1 point and a bonus. The bonus is determined by how many weeks a track is listed on the Hot 50. In week #1, any given track will receive .01 extra points, regardless of position. In week #2, they'll receive .02 and so on and so forth until they end their chart run.

As another note, the Summer Songs Competition will run for another 3 weeks (ending with the Hot 50 issue dated September 11th). The top 40 Summer Songs will be revealed in a special post on September 7th, so get ready!

Maroon 5's "It Was Always You" holds at #1 for a second consecutive week, breaking a 3 way tie for third place among all time longest reigns at #1 for a Maroon 5 song. It now just holds third place by itself, while "Love Somebody" and "One More Night" both fall into 4th place. With this week at #1, Maroon 5 becomes the only artist to hold the #1 position for more than 6 weeks in 2014. Additionally, they log a 13th overall week at the summit since the chart's 2012 inception. These 13 weeks are of course spread across 5 #1's (which ties Rihanna's sum of 5 as the most for any artist or group). Among all acts, Maroon 5 ranks 3rd for most overall weeks at the summit behind Rihanna's record 20 and Lady Gaga's 18 (all of which came consecutively at the tail end of 2013).

Here's a quick look at Maroon 5's #1 reigns on the Hot 50 since its 2012 inception. The bolded track is the current leader ("It Was Always You").

Weeks - Title - Start of Reign
5 Weeks at #1 - "Maps" - July 10th, 2014
4 Weeks at #1 - "Payphone (feat. Wiz Khalifa)" - April 19th, 2012
2 Week at #1 - "It Was Always You" - August 14th, 2014
1 Week at #1 - "Love Somebody" - September 20th, 2012
1 Week at #1 - "One More Night" - September 13th, 2012

Back to "It Was Always You", the track posts across the board gains on the Streaming Songs chart and the Radio Songs chart. It holds 2-2 on the Streaming Songs chart (behind Kiesza's "Hideaway" which holds the top slot for a record 16th consecutive week) with a 6% gain, jumps 4-1 on Radio Songs but unfortunately dips 14-37 on the Social Songs 100. The cut holds at #1 on the Pop Songs list for the second consecutive week as well as on the subsidiary Adult Pop Songs and Adult Songs lists.

Kiesza's "Hideaway" holds 2-2 on the Hot 50, tallying a 10th consecutive week in the runner up slot (after leading the list for 6 weeks beginning in early May). With 10 weeks in the runner up slot, the track breaks a tie with Macklemore & Ryan Lewis' "Can't Hold Us (feat. Ray Dalton)" to become the song with the most amount of weeks in the position. The honor of the longest time spent in the second place slot is still bestowed upon OneRepublic's "Counting Stars" which wrapped an 11 week run in the slot back in early 2014.

In addition to that, "Hideaway" notches a 16th consecutive week within the top 2, which rewrites history in the fact that it has now spent the most weeks within that 2 position region for any song to date (16). Lady Gaga's "Applause" previously held the most overall week title with 15 (which were in 2013-2014). OneRepublic's "Counting Stars" previously held the most consecutive week title with 13 (all of which were in 2014). With "Hideaway" still in a great spot, it's highly likely that the track winds up with a final point cume around the same level as both "Applause" and "Counting Stars" (both of which ended with over 1500 points and currently rank among the All Time top 5). With approximately 800 points earned through week #16, "Hideaway" is already one of the most successful singles of 2014.

Maroon 5's "Maps" holds 3-3, tallying a 4th non-consecutive week in the position, and a 9th week in the top 5. It previously peaked at #1 for 5 consecutive weeks. Following its run in the top slot, it relinquished its throne to fellow Maroon 5 track "It Was Always You". With just 3 more weeks of tracking left in the Summer 2014 season, "Maps" is bound to finish in the top 5, likely behind longtime frontrunner "Hideaway" (by Kiesza), and Sweden's Eurovision 2014 entry, "Undo" (by Sanna Nielsen). As for the final outcome of "Maps", it should be on track to complete the year with around 1000 points, which would make it the group's third single to do so. With "Animals" set to be released at the end of next week, Maroon 5's forthcoming album, V, which will debut on September 2nd, could end up producing another instant hit just like 2012's Overexposed did.

Back to "Maps", the cut holds at #2 for a second week on Pop Songs (which it previously led for 5 weeks), slides 3-5 on the Streaming Songs chart (where it previously bulleted at #2 for 4 weeks) and bullets yet again at #1 on Radio Songs (which it has lead for 9 consecutive weeks). It also elevates sharply on the Social Songs 100. It previously led the mentioned chart for a single week. Additionally, "Maps" holds at #2 on Adult Pop Songs and on Adult Songs. It led the former for 5 weeks and the latter for 7 weeks.

Kiesza's "Giant In My Heart" holds tight at #4 on the CDS Music Chart Hot 50 for a second week, tallying a 9th consecutive week in the top 10. It previously stalled at #3 for a record long 4 consecutive weeks. Previously, her debut single "Hideaway" reached the summit of the Hot 50 chart for 6 consecutive weeks. While "Giant In My Heart" is in a tough spot (thanks to a strong amount of competition), it could eventually wind up as Kiesza's 2nd consecutive chart topping single. With two more tracks ready for release (an official worldwide release of the rarely heard "No Enemiesz" and a collaboration with Diplo and Skrillex titled "Take U There"), Kiesza could end up walking away from 2014 with 4 #1s. That would tie Rihanna and Nicki Minaj for the most #1 singles by an artist in a single calendar year (4 apiece). But lets not get ahead of ourselves; Kiesza has only nailed a single #1 for now. Stay tuned.

Jessie J, Ariana Grande and Nicki Minaj bound 7-5 with "Bang Bang". With the move, Nicki Minaj scores her 7th top single (in its debut week it became the singer's 12th top 10). Additionally, the track is Jessie J's 3rd top 5 and first since "LaserLight (feat. David Guetta)" wound up at #3 in mid 2012. It's also Ariana Grande's first single to reach the top 5, with "The Way" and "Problem (feat. Iggy Azalea)" stopping at #9. "Break Free (feat. Zedd)", her only other charting entry to not reach the top 10, has since reached #40 on the CDS Music Chart Hot 50.

Meanwhile, Sia's "Chandelier" reverses course by dropping 5-6. It previously reached a peak of #5 during its 21st week on the CDS Music Chart Hot 50, her second highest peaking single to date. Her only other journey to the top 5 came when her collaboration single with David Guetta ("Titanium") reached the pinnacle of the Hot 50 for two consecutive weeks back in August 2012 (almost exactly two years ago), while her collaboration with Flo Rida ("Wild Ones") reached #8 several weeks after the inception of the chart (early 2012). Unfortunately, the only record that "Chandelier" could have possibly broken was the longest climb to the top 5 record (held by Kelly Clarkson's #3 peaking "People Like Us"); it missed tying the record by one week and fell two weeks short of rewriting the record.

Two entries catapult into the CDS Music Chart Hot 50's top 10 this week: Röyksopp & Robyn vault 15-7 with their debut collaboration single "Do It Again". As separate artists, they each claim their first ever top 10 singles. The track claims this week's Airplay Gainer distinction. Additionally, Alyssa Reid's "Satisfaction Guaranteed" reaches the upper tier by blasting 19-8. It's the CDS Music Chart Hot 50's biggest streaming gainer this week, as well as Reid's first ever top 10 single. These tracks swap with with Vita Chambers' "A+D" (which drops 6-11) and Nico & Vinz's "Am I Wrong" (which dives 8-13).

Secondcity's "I Wanna Feel" climbs a single rung to #9 (10-9). While it might end up being stuck in the same position for a few consecutive weeks, it's likely that "I Wanna Feel" winds up peaking higher than this.

Clean Bandit's "Rather Be (feat. Jess Glynne)" dips 9-10, spending an 19th non-consecutive week in the top 10. To date, the track has scored just over 1100 points to date, which is just 40 points under the amount of points scored by the #1 song of the year to date (One Republic's "Counting Stars"). In just about one more weeks, "Rather Be" will become the most successful single of the year to date.

Come back for more posts!

Weekly Video Recap: Rita Ora & Iggy Azalea, Ariana Grande and More

Welcome to a brand new weekly segment called Weekly Video Recap. The whole point of the segment is pretty clear: recapping this week's top video premieres. So which new videos sizzled the internet this past week? Find out below!

Ella Henderson - "Glow"
While her previous release, "Ghost", got a good review from me, it wasn't until the release of "Glow" that I really became impressed. It's no instant hit like "Ghost", but it's powerful, filled with exquisite vocals and just absolutely breathtaking. While it definitely reminds me of Ellie Goulding's #8 peaking  "Burn", it feels a lot more original and a lot less overproduced -- which in this case, is a good thing.

With that being said, do I think "Glow" will become a top 10 hit on the CDS Music Chart Hot 50? Shockingly, yes. It'll be a tough accomplishment for a number of reasons (including lack of US Airplay and Ella's still underdeveloped fan base), but I could ultimately see it becoming an eventual hit and one of the this year's late bloomers.

The music video for the track, which dropped just a few days ago, is much like her previous video for "Ghost", but it feels more full of energy. Documenting the events of a group of friends that party all night, "Glow" embraces the feelings of togetherness and friendship. Just like the rising sun in the music video, Henderson is one of the brightest burning stars (in the music business)... hopefully she'll 'glow' for years to come.


Ariana Grande - "Break Free (feat. Zedd)"
While the rest of Ariana Grande's music videos are far from perfect, the music video for "Break Free" borders on the edge of utter ridiculousness -- her worst video to date. The inspirations behind it -- original Star Trek episodes, space dominatrixes, Katy Perry's "E.T." video, Star Wars, etc. -- would normally all work together to create a strong final product, but the lack of originality and an interesting story line, combined with the fact that nearly everything in the entire video was developed on a green screen, make for a really uncomfortable and downright stupid video.

I understand that you can't actually shoot a project in space, but it feels like they spent too much time on Grande's appearance rather than the sets and plot itself. Okay, yes, she looks cute but then again when has she not?

Despite critical opinions popping up all across the internet, most of America has embraced the video for "Break Free" with open arms -- Ariantors have made sure of it. Once again, a terrible video will help propel a decent song to success. We needed another one of those.


Iggy Azalea - "Black Widow (feat. Rita Ora)"
Long before the release of the official music video for "Black Widow", we already suspected a Kill Bill themed clip. What was really surprising was that the Quentin Tarantino inspired video featured Michael Madden and Paul Sorvino, who appeared in actual Tarantino films Kill Bill and Reservoir Dogs respectively.

The video, which was shot around Los Angeles, California is pretty straight forward and follows the basic plot of Kill Bill: a former female assassin that takes revenge on those who've deeply hurt her. 
Read more about Kill Bill and its intense story line, read here (Note: highly recommended movie). While the story seems a little drastic in this situation, given that the whole revenge plot was formulated in Iggy Azalea's character's head after another character was rude to her at the diner she worked at.

Either way, it's still a decent attempt at recreating a small piece of one of the greatest movies of all time. As for the song itself, it's already making its way up the CDS Music Chart Hot 50, which of course indicates that I like it.


Bebe Rexha - "I Can't Stop Drinking About You"
While you may have never heard of Bebe Rexha, you've definitely heard her both lyrically and vocally. That's right, Bebe Rexha was the original writer of Eminem's smash #1 single "The Monster (feat. Rihanna)", and she can also be heard on the dance hit "Take Me Home" by Cash Cash, which bubbled under the Hot 50 for several weeks. She was also a co-writer for "Glowing" by Nikki Williams, which peaked at #11 on the CDS Music Chart Hot 50.

Other than her writing one of the most successful songs in Eminem's career (both on the CDS Music Chart and around the world), what makes Bebe Rexha so interesting? Her diversity.
As a singer and songwriter, she's gone from pure pop to electronic pop and has even been behind more urban offerings.

On her debut single (which has received rave reviews from critics), Rexha experiments by combining her experienced, soothing vocals with an heavy dose of electro beats and of course relatable lyrics. 
As the song progresses it gets even better, transforming from a moderately paced pop song into a absolute club anthem, all the while keeping it classy. It's also extremely catchy, without overdoing it.

The music video sees the artist reliving the pain her cheating lover has caused her, all the while knowing she'll never stop loving him. Congratulations on creating a video that actually has something to do with the song (thank you! It makes the whole experience better). Few artists can.


Röyksopp & Robyn - "Monument"
I honestly though that "Monument", a ten minute long hazy adventure, would never be chosen as the next single from the Do It Again. "Sayit" would have been my choice, but with that being said, "Monument" really is a great, under-appreciated track. See the video below and my original comments from the Do It Again EP review.

"This dark and scattered mix of cloudy and feverish vocals is a haunting track that clocks just past the 10 minute marker. The first solid minute feels like a whisk into a darkened space reminiscent of both heaven and hell. Robyn chimes in with chanting vocals for the next two minutes. Throughout this time, special effects layer over her vocals, and knives chop the whispering backbeats in uneven patterns. The vocals fade away until they are replaced with jazz instruments and sounds of drowning words. Robyn returns once more to mutter the chorus for several seconds. Sounds of drums and other related tribal instruments encompass the final 2-3 minutes of the track, until a fire extinguishes all sound in the final moments of the track. It's a melancholy affair that is both intriguing and spooky...

...Among the highlights (it's hard to pick when there's only 5) are "Monument" and "Do It Again"."


Vote for your favorite new music video below, share this with others and comeback next weekend for a new edition of Weekly Video Recap.

Coming next week: Taylor Swift's "Shake It Off", Nicki Minaj's "Anaconda" and more! Stay tuned.

Which New Video Is the Best?





pollcode.com free polls

Saturday, August 9, 2014

Chart Highlights: "Anaconda" Slithers Onto Hot 50, Maroon 5 Self Replaces At Summit


Meanwhile, Meghan Trainor's "All About That Bass" vaults, and Iggy Azalea's collaboration with Rita Ora scales the Hot 50.

The Hot 50 chart is counts points from Saturday to Friday and is formulated using the following:
  • Official US Radio plays that I listen to count as 1 point each. Referred to as the Radio Songs Chart.
  • Plays through my iTunes or Spotify (mainly the former) libraries count as 2 points each. If the track is not available to purchase at a given moment, plays of the track's official audio on Youtube or Soundcloud also count for 2 points each. Referred to as the Streaming Songs Chart.
  • The release of a track's official music video sees the song in question receive a one time bonus of 5 points if I watch the video within its first two weeks of release. If a song first charts over two weeks after the video's release, it is eligible to get the five point bonus within its first two weeks of charting. There is no component chart for this category given that it awards a one time bonus.
  • The top 10 most voted for songs on the "Vote For Your Favorites of the Week" chart receive points. #1 gets 10 points, #2 gets 9 and so on and so forth. If voting reaches a certain threshold during any given week, the 2x multiplier will be unlocked. If the 2x multiplier is unlocked, #1 gets 20 points (instead of 10), #2 gets 19 points (instead of 9) so on and so forth. #11 gets 10 points (instead of none), and #20 gets 1 point (instead of none). Referred to as the Social Songs 100 Chart.
As I do every weekend, let's dive deeper into the numbers and how things played out on this week's Hot 50 chart. But before we get into that, I'd like to point out that it will be impossible for any song to pass Platinum status (1000+ points) by the end of 2014 if they do not debut by next week. In addition, said song would pretty much have to remain in the top 5 for the next 20 weeks to reach that level. 

For those of you that are not aware of how the point system works:

The #1 song each week receives 50 base points and a weekly bonus. #2 receives 49 points and a bonus and so on and so forth. #50 receives 1 point and a bonus. The bonus is determined by how many weeks a track is listed on the Hot 50. In week #1, any given track will receive .01 extra points, regardless of position. In week #2, they'll receive .02 and so on and so forth until they end their chart run.

As another note, the Summer Songs Competition will run for another 4 weeks (ending with the Hot 50 issue dated September 11th). The top 40 Summer Songs will be revealed in a special post on September 7th, so get ready!

Maroon 5's "It Was Always You" jumps 4-1 to crown the chart for the first time. With the jump to the summit, Maroon 5 becomes the first artist or group this year to replace themselves at the top slot (previously, "Maps" had led the list for 5 weeks before being replaced by "It Was Always You"). Additionally, they log a 12th overall week at the summit since the chart's 2012 inception. These 12 weeks are of course spread across 5 #1's (which ties Rihanna's sum of 5 as the most for any artist or group). Among all acts, Maroon 5 ranks 3rd for most overall weeks at the summit behind Rihanna's record 20 and Lady Gaga's 18 (all of which came consecutively at the tail end of 2013).

Here's a quick look at Maroon 5's #1 reigns on the Hot 50 since its 2012 inception. The bolded track is the current leader ("It Was Always You").

Weeks - Title - Start of Reign
5 Weeks at #1 - "Maps" - July 10th, 2014
4 Weeks at #1 - "Payphone (feat. Wiz Khalifa)" - April 19th, 2012
1 Week at #1 - "It Was Always You" - August 14th, 2014
1 Week at #1 - "Love Somebody" - September 20th, 2012
1 Week at #1 - "One More Night" - September 13th, 2012

Back to "It Was Always You", the track posts across the board gains on the Streaming Songs chart, the Social Songs 100 and the Radio Songs chart. It gains 6-2 on the Streaming Songs chart (behind Kiesza's "Hideaway" which holds the top slot for a 15th consecutive week), jumps 8-4 on Radio Songs and soars 47-14 on the Social Songs 100. The cut takes over the Pop Songs list (dethroning "Maps", which led for 5 weeks) as well as the subsidiary Adult Pop Songs and Adult Songs lists (dethroning "Maps" on both).

Kiesza's "Hideaway" holds 2-2 on the Hot 50, tallying a 9th consecutive week in the runner up slot (after leading the list for 6 weeks beginning in early May). With 9 weeks in the runner up slot, the track ties Macklemore & Ryan Lewis' "Can't Hold Us (feat. Ray Dalton)" for the second most amount of weeks in the position with 9 apiece. The honor of the longest time spent in the second place slot is bestowed upon OneRepublic's "Counting Stars" which wrapped an 11 week run in the slot back in early 2014. Interestingly enough, all songs to spend at least 8 weeks in the position hit #1 immediately following or immediately preceding their time at #2. Even more twisted, all tracks to reach #1 after spending at least two months at #2 wound up with extremely short reigns at the summit. In fact the longest time spent at #1 after spending at least 8 weeks at #2 is a mere 3 weeks (Macklemore & Ryan Lewis' "Can't Hold Us").

In addition to that, "Hideaway" notches a 15th consecutive week within the top 2, which rewrites history in the fact that it has now spent the most consecutive weeks within that 2 position region for any song to date (15), and ties for the most overall weeks in the 2 position region (Lady Gaga's "Applause" spent 15 non-consecutive weeks in the region across 2013-2014) . OneRepublic's "Counting Stars" previously held the most consecutive week title with 13 (all of which were in 2014).  With "Hideaway" still in a great spot, it's highly likely that the track winds up with a final point cume around the same level as both "Applause" and "Counting Stars" (both of which ended with over 1500 points and currently rank among the All Time top 5). With approximately 750 points earned through week #15, "Hideaway" is bound to become one of the most successful singles of 2014, if not the most successful.

For those of you that have been paying attention, you'll note that Maroon 5's "Maps" (which led last week) has indeed landed at #3 this week, which marks a two position drop from the top (1-3). This week ends the 5 week command of "Maps", which along with "Hideaway" has pretty much ruled this Summer. Racking nearly 400 points across its first eight weeks, the track will without a doubt pass 900 points and continue Maroon 5's massive success streak. As a side note, however, Maroon 5's next single ("Animals") will debut within the next two weeks and could wind up stealing the show from both "It Was Always You" and "Maps". I'm expecting "Animals" to eventually wind up with a #1 stint, but whether or not it will directly follow up "It Was Always You" at the summit is beyond me. Maroon 5's forthcoming album, V, will debut on September 2nd and could end up producing another instant hit just like 2012's Overexposed did ("Lucky Strike" followed by "Love Somebody").

Back to "Maps", the cut slides 1-2 on Pop Songs (which it previously led for 5 weeks), slides 2-3 on the Streaming Songs chart (where it previously bulleted at #2 for 4 weeks) and bullets yet again at #1 on Radio Songs (which it has lead for 8 consecutive weeks). The track bullets 40-9 (a 31 position gain) on the Social Songs 100, becoming one of this week's greatest gainers. It previously led the mentioned chart for a single week. Additionally, "Maps" slides 1-2 on Adult Pop Songs and on Adult Songs. It led the former for 5 weeks and the latter for 7 weeks.

Kiesza's "Giant In My Heart" slides 3-4 after peaking at #3 for 4 consecutive weeks, to notch a 8th consecutive week in the top 10. Previously, her debut single "Hideaway" reached the summit of the Hot 50 chart for 6 consecutive weeks. "Giant" ups 4-3 on the Streaming Songs chart, and charges 42-29 on the Social Songs 100. At this point, it is highly likely that Kiesza's "Giant In My Heart" ends up joining "Hideaway" in the Summer Songs top 10. We'll know more about where it could rank in just a few weeks, as the competition will gruel on for 4 more weeks.

Sia's "Chandelier" reaches the top 5 for the first time in its 21 week run on the Hot 50 by climbing 7-5. With the move, the track becomes Sia's second highest peaking single to date and second to ever rank #5 or above. Her only other journey to the top 5 came when her collaboration single with David Guetta ("Titanium") reached the pinnacle of the Hot 50 for two consecutive weeks back in August 2012 (almost exactly two years ago), while her collaboration with Flo Rida ("Wild Ones") reached #8 several weeks after the inception of the chart (early 2012). Also to note, "Chandelier" becomes just the third song ever to reach the top 5 after spending at least 19 prior weeks on the chart. Kelly Clarkson's #3 peaking "People Like Us" (which holds the record for the longest climb to the top 5) took 22 weeks to reach the platform, while Marina & the Diamonds took 20 weeks to land "How to Be A Heart Breaker" in the region. It's safe to say that "Chandelier" is extremely unlikely to summit the Hot 50: no act has ever reach this milestone and reached the top of the chart.

Vita Chambers' "A+D" holds 6-6 during its 15th week on the chart. The song, which previously peaked at #4, was the 4th single from the artist to reach the CDS Music Chart Hot 50's top 5. It followed "Fix You", "Masquerade" and "What If?", which peaked at numbers 1, 2 and 3 respectively.

Jessie J, Ariana Grande and Nicki Minaj bound 9-7 with "Bang Bang" thanks mainly due to a 2-1 rise on the Social Songs 100 and a 10-8 rise on Streaming Songs. With the lift, the track becomes Ariana Grande's highest charting single ever (her only other top 10 singles, "Problem" and "The Way", both stopped at #9) and the highest charting single ever from a 3-pack of solo artists.

Nico & Vinz crash 5-8 with their debut single "Am I Wrong". The track, which peaked at #5 for two consecutive weeks, is the only song by an Norwegian group or solo artist to reach the top 5. Unfortunately, this track didn't hold as well as initially expected, elevating over 30 positions and crashing downward all within a 10 week span. Hopefully the September 16th release of the group's debut studio album (Black Star Elephant) can help regenerate some momentum for the song.

Clean Bandit's "Rather Be (feat. Jess Glynne)" dips 8-9, spending an 18th non-consecutive week in the top 10. To date, the track has scored just over 1060 points to date, which is just 80 points under the amount of points scored by the #1 song of the year to date (One Republic's "Counting Stars"). In just about two more weeks, "Rather Be" will become the most successful single of the year to date.

To round out the top 10, Secondcity's "I Wanna Feel" climbs 11-10 on the CDS Music Chart Hot 50. With the move, the track becomes Secondcity's first ever top 10 single, as well as the 4th and final deep house song to rank in the upper tier this week.

Below the top 10, "Satisfaction Guaranteed" by Alyssa Reid rebounds 24-19 on the CDS Music Chart after leaving the top 20 for several weeks. Thanks to a large gain at the end of this week, it could end up reaching the top 10 next week. Röyksopp & Robyn's "Do It Again" is in a similar predicament. It rebounds 20-15 on the Hot 50 as well, and should be able to crack the top 10 next week.

This week's top debut arrives courtesy of Nicki Minaj. The rapper arrives at #29 with her just released new single, "Anaconda". With the debut, the track becomes the artist's 21st entry onto the Hot 50. That ranks 1st all time (since the chart's 2012 inception).

Genre Based Top 5's:

Pop Songs
#1(+1) "It Was Always You" by Maroon 5 (1 week @ #1)
#2(-1) "Maps" by Maroon 5 (5 weeks @ #1)
#3(+1) "Chandelier" by Sia
#4(-1) "Am I Wrong" by Nico & Vinz
#5(+1) "Bang Bang" by Jessie J, Ariana Grande & Nicki Minaj

Notable Gainer"All About That Bass" by Meghan Trainor

Hip-Hop/Rap Songs
#1(=) "She Came To Give It To Yo (feat. Nicki Minaj)" by Usher (2 weeks @ #1)
#2(=) "Fancy (feat. Charli XCX)" by Iggy Azalea (13 weeks @ #1)
#3(+1) "Pills N Potions" by Nicki Minaj
#4(-1) "Problem (feat. Iggy Azalea)" by Ariana Grande
#5(=) "No Mediocre (feat. Iggy Azalea)" by T.I.

Notable Debut: "Anaconda" by Nicki Minaj

Dance Songs
#1(=) "Hideaway" by Kiesza (13 weeks @ #1)
#2(=) "Giant In My Heart" by Kiesza
#3(+1) "Chandelier" by Sia
#4(+1) "Rather Be (feat. Jess Glynne)" by Clean Bandit
#5(+1) "I Wanna Feel" by Secondcity

Notable Gainer: "Ready For the Weekend (feat. Ayah Marar)" by NERVO & R3HAB

Electronic Songs
#1(=) "Hideaway" by Kiesza (15 weeks @ #1)
#2(=) "Giant In My Heart" by Kiesza
#3(=) "Rather Be (feat. Jess Glynne)" by Clean Bandit (7 weeks @ #1)
#4(=) "I Wanna Feel" by Secondcity
#5(+1) "Do It Again" by Röyksopp & Robyn

Notable Gainer: "Ready For the Weekend (feat. Ayah Marar)" by NERVO & R3HAB

On The Bubble/Next Up:
New tracks you'll see on the chart soon.
#51(NEW) "Dirt" by Florida Georgia Line
#52(=) "0 to 100/The Catch Up" by Drake

#53(=) "Big Girls Cry" by Sia
#54(=) "Go (feat. Blood Diamonds)" by Grimes
#55(=) "Stolen Dance" by Milky Chance
#56(=) "Gecko (Overdrive)" by Becky Hill
#57(=) "Bo$$" by Fifth Harmony
#58(=) "Happy Little Pill" by Troye Sivan
#59(=) "Rainbow" by Sanna Nielsen
#60(NEW) "I'm Not the Only One" by Sam Smith

Out:
X (60) "Ordinary Human" by OneRepublic

In the Mix:
Tracks that are just starting to surge in popularity. You'll see 'em on the Hot 50 real soon! Bold indicates that the track is one of the largest movers of the week. Red tracks are falling off.

- "Lovers On the Sun" by David Guetta
- "Go (feat. Blood Diamonds)" by Grimes
- "Big Girls Cry" by Sia
- "Ghost" by Ella Henderson
- "UP!" by Samantha Jade
- "Bartender" by Lady Antebellum
- "Hurricane" by Alyssa Reid
- "Happy Little Pill" by Troye Sivan
- "Another's Arms" by Coldplay
- "Rainbow" by Sanna Nielsen
- "Wait On Me" by Rixton
- "Cellophane" by Sia
- "Waves" by Mr. Probz
- "Back to the Shack" by Weezer
- "Chains" by Nick Jonas
- "Battle Cry" by Imagine Dragons
- "Chimes" by Hudson Mohawke
- "Paralyzed" by Mystery Skulls
- "Turn Down For What (feat. Lil Jon)" by DJ Snake
- "Bo$$" by Fifth Harmony
- "Glow" by Ella Henderson
- " This Is How We Do" by Katy Perry
"Dirt" by Florida Georgia Line
"I'm Not the Only One" by Sam Smith

Falling Off:
- "Try" by Colbie Calliat
- "Flipside" by Lana Del Rey
- "Smoke (feat. Trey Songz)" by 50 Cent
- "Eye of the Needle" by Sia
- "Gore & Glory" by Lorde
- "A.K.A (feat. T.I.)" by Jennifer Lopez
- "Extraordinary (feat. Sharna Bass)" by Clean Bandit
- "Rainmaker" by Emmelie De Forest

Voter's Top 10:
The top 10 most approved songs by the public across all platforms. Red tracks didn't reach the Hot 50 this week. Bolded tracks debuted on the Hot 50. Italicized tracks were on Hot 50 last week and are listed again. Vote for your favorites each week.

#1(+1) "Bang Bang" by Jessie J, Ariana Grande & Nicki Minaj
#2(+19) "She Came To Give It To You (feat. Nicki Minaj)" by Usher
#3(+21) "Pills N Potions" by Nicki Minaj
#4(NEW) "Anaconda" by Nicki Minaj
#5(NEW) "Flawless (feat. Nicki Minaj) [Remix]" by Beyoncé*
#6(+3) "Hideaway" by Kiesza
#7(+19) "2 On (feat. SchoolBoy Q)" by Tinashe
#8(+77) "Boom Clap" by Charli XCX
#9(+31) "Maps" by Maroon 5
#10(+77) "This Is How We Do" by Katy Perry

Top 10 Dropouts:
#12(-4) "Ready For the Weekend (feat. Ayah Marar)" by NERVO & R3HAB
#13(-12) "Superheroes" by The Script
#16(-6) "All About That Bass" by Meghan Trainor
#21(-17) "Strange Enough" by VÉRITÉ
#32(-26) "Satisfaction Guaranteed" by Alyssa Reid
#64(-61) "Only Love Can Hurt Like This" by Paloma Faith
#69(-64) "Angel In Blue Jeans" by Train
#77(-70) "First Love" by Jennifer Lopez*

*Charted as "Bow Down/I Been On" in May 2013.

Come back for more posts!

Wednesday, July 9, 2014

CDS Picks: Usher and Nicki Minaj Team Up, Florida Georgia Line Returns

Welcome back to another installment in the wildly popular CDS Picks feature. This time, I'm focusing on new recordings by Usher, Iggy Azalea, Sia, Florida Georgia Line, Nicki Minaj and more. Have more picks for this week? Just tweet me them and I'll give them a spin? Maybe they'll be make next week's rundown.

Florida Georgia Line - "Dirt"
Following a slew of releases that really didn't grab me, Florida Georgia Line (who are most famous for re-releasing decent tracks in overly revamped formats, often featuring Country or Rap artists) finally struck it rich with "Dirt". The new track (which currently sits at #1 on US iTunes at press time) previews the band's 2nd official album (and 3rd overall after the re-release of their debut album under a new title) and is actually one of their most compelling efforts to date. Looking forward to hearing more from them this time around... hopefully they've phased out of the "country-rap" stint that initially made me dislike them so much. We'll see soon enough.

Usher - "She Came To Give It To You (feat. Nicki Minaj)"
While I was overly positive with Florida Georgia Line's newest release ("Dirt"), this new track from Usher really hit it out of the ballpark for me this week. Following up from one of his oddest singles to date ("Good Kisser"; it has officially charted thanks solely to a remix which takes the track from miserable to incredible), the Pharrell produced "She Came To Give It To You (feat. Nicki Minaj)" is a great comeback. While the track clearly feels like a song that's meant to be sung by Pharrell, Usher gives it his own personal twist, and Nicki Minaj delivers a solid (yet lingering) verse that's home to some of her most memorable lines to date. Overall, it's a great single and should eventually wind up being a late summer/early fall smash single. Expect it to be the biggest debut on the Hot 50 chart dated July 17th.

Iggy Azalea - "Black Widow (feat. Rita Ora)"
Hot off the heels of her still wildly popular breakthrough single, "Fancy (feat. Charli XCX)", Iggy Azalea has started promoting The New Classic's next single. "Black Widow (feat. Rita Ora)" was serviced to Pop radio as the album's next promotional single, and is already making large waves in terms of sales and airplay. The track ranks at #49 on the US iTunes Hot 200 and bows at #97 on the Billboard Hot 100 as of the most recent chart update.

When I first came across "Black Widow", I instantly knew that it would end up becoming the album's next release. It has yet to chart on the CDS Music Chart Hot 50, but it should be reaching the list within the coming weeks... Stay tuned.

Kiesza - "So Deep"
Marking a major departure from the dance and house oriented sounds of her first two releases through a record label ("Hideaway" and "Giant In My Heart"), Kiesza's "So Deep" should be considered a groovy, sexy R&B/Soul jam with some electronic influences. It doesn't have the instant appeal that her first two tracks did, but it does have its moments and its a bright track with a promising future. It's unlike anything else you've heard (or will hear this year), so be sure to check it out and purchase lead single "Hideaway" on US iTunes today (currently ranked at #2 on Electronic and #113 on Overall; EP at #103 overall and #2 on Electronic).

Sia - "Cellophane"
Despite the fact that it is not a single at the moment, "Cellophane" (taken from Sia's recently released 1000 Forms of Fear album) is one of her most unique tracks that she has recently released. Hopefully it becomes an eventual single. Read my original thoughts on the track from my 1000 Forms of Fear album review:

"While "Cellophane" isn't nearly as strong as some of the other tracks on 1000 Forms of Fear, it's home to some of the most dazzling beats and lyrics. It's set apart from the pack as somewhat of a standout because it feels original, its unlike anything else on the album, and it feels like a ballad with a passionate twist. Unfortunately, it's not an instant favorite because it feels like the components of the track (while being stunning on their own) don't mesh in the same way that the structures of other tracks on the album do.

Still, "Cellophane" has Sia soaring sky high with her impressive vocal chords. It's definitely a grower. It will surely captivate your heart -- literally (you'll see what I mean when you listen to it) -- it just may take a few listens."

Fifth Harmony - "BO$$"
While I did give this track a severely low score upon release, it's worth noting that "BO$$" (while occasionally being annoying and downright stupid) is actually a nice achievement for Fifth Harmony: it's their only track to attract something of a decent sized audience and their only track worth playing or listening to. It also appears to get better with subsequent listens. Read my original thoughts below:

"The beat is undeniably one of the catchiest ones for a pop song this summer, but I (like a handful of others) disapprove of the writing quality (lyrics). One particular set of words comes to mind: complete garbage. "BO$$" feels like a giant quilt made out of individual squares that don't align right. The lyrics are botched and sound childish, and name dropping the First Lady isn't going to help: it'll make more people hate it. Additionally, the lyrics that could pass off as "decent" sound like they were ripped out of the classic Destiny's Child track "Independent Women Part 1" and stapled to a hodgepodge of poorly written lines. To all the publications saying Fifth Harmony "channels" Destiny's Child or TLC or whatever on their new track: no, they're copying them. I don't care who you are, you can't call yourself the new Destiny's Child if you or your staff writes like this.

On the other hand, the beat is actually decently entertaining, but then yet again there are some issues: Fifth Harmony clearly didn't produce the beat so I can't really give them a grade on that, and it does sound really familiar ("Talk Dirty" and "Problem") which makes it a pleasant disappointment overall.

As for the song itself, I'd skip it but its not terrible in a pinch. Still, it's cheesy, and completely stupid sounding at times."

Come back for more posts soon!
Animated Social Gadget - Blogger And Wordpress Tips